Stella Papamichael, writing for Digital Spy, gave the film three out of five stars. She praised Polley's approach to the film calling it "different, fresh and exciting", but not as "well-balanced" as Away From Her.[26] Papamichael added "Margot is an emotionally gritty role for Williams and she plays it brilliantly close to the edge, but she can seem at odds with a scenario that has more in common with a Mills & Boon fantasy than the real world."[26] The Guardian's John Patterson proclaimed "Take This Waltz's practical wisdom about entropy in relationships and sense of resigned acceptance are leavened by an uncharacteristically active and talkative – and often very witty – performance from Williams."[27] Justin Chang from Variety said "Given how quickly movie characters tend to fall into bed with one another, it's especially rewarding to see writer-director Sarah Polley wring maximum tension, humor and emotional complexity from a young wife's crisis of conscience in Take This Waltz. Despite a few tonal and structural missteps, this intelligent, perceptive drama proves as intimately and gratifyingly femme-focused as Polley's 2006 debut, Away From Her."[28] Chang believed the film was "flat-out sexy enough" to appeal to audiences of either gender and praised Williams and Rogen's performances. watch more

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